Hegemony is more than just dominance. It’s the rule of consent, not just coercion. It’s power so deeply embedded that the oppressed come to accept it as “normal.”
Antonio Gramsci, the Italian theorist, made this clear in his Prison Notebooks — he argued that ruling classes maintain control not only through force but by shaping culture, ideas, and institutions so their worldview seems universal and inevitable. PMC+3St. Paul’s Cathedral Mission College+3Stanford Encyclopedia of Philosophy+3
In this way, hegemony is ideological: it manufactures consent through civil society (media, religion, schooling, art) rather than relying solely on the state’s coercive machinery. St. Paul’s Cathedral Mission College+2MTU Knowledge Base+2
So when a certain worldview becomes “common sense” — when people internalize it so deeply they can’t even see alternatives — that is hegemony at work.
How Hegemony Works: The Mechanics
- Institutional embedding
Hegemony is upheld through institutions: schools, media, churches, art institutions. These carry the dominant narrative in practices, symbols, curricula, values. Encyclopedia Britannica+3St. Paul’s Cathedral Mission College+3MTU Knowledge Base+3 - Cultural leadership
The ruling group doesn’t only impose; it leads intellectually and morally. It presents its values as beneficial and natural for everyone. Shanlax Journals+3St. Paul’s Cathedral Mission College+3Encyclopedia Britannica+3 - Consent over coercion
People accept or even defend the system because the dominant worldview is woven into identity, language, belief. The less people see the system, the more powerful it is. Encyclopedia Britannica+3Stanford Encyclopedia of Philosophy+3PowerCube+3 - Continuous reproduction
Hegemony isn’t fixed. It must be renewed, negotiated, contested. Dissenting ideas are marginalized, co-opted, or discredited. St. Paul’s Cathedral Mission College+2IJFMR+2 - Sites of struggle
Every sphere becomes a battlefield — art, religion, education, language, media. That’s why culture is central in resistance. PowerCube+2St. Paul’s Cathedral Mission College+2
The Stolen Image of Jesus: A Case Study in Cultural Hegemony
One of the most powerful examples of hegemony is how the image of Jesus was “stolen” — not in a literal robbery but through cultural remaking so thoroughly that many today cannot imagine Christ outside a European mold.
The Whitewashing of Jesus
- In Western Christian art, Jesus is overwhelmingly portrayed as a white, Northern European–looking man: light skin, straight hair, blue eyes. These images arose not from history but from the cultural assumptions of European artists and patrons. Broadview Magazine+3University of South Carolina+3HowStuffWorks+3
- That portrayal became default and “neutral” — rarely challenged. Over time it turned into a spiritual standard. The dominant culture made its image into the universal image.
- This visual standard participates in hegemony: it naturalizes whiteness as divine, moral, ideal. It signals who belongs to the “sacred” and who is excluded.
Origins and Transmission
- Early Christian art had no fixed, consistent portrait of Jesus. Over centuries, local cultures influenced how he was imagined. Wikipedia
- During the Renaissance and beyond, European artists took control of Christian iconography, consolidating a visual norm.
- In modern times, mass reproduced images like Warner Sallman’s “Head of Christ” further cemented that ideal. That image circulated in churches, homes, cards—becoming the face many Christians imagine when they think of Jesus. Broadview Magazine+1
Why It Matters
- The theft is ideological: by erasing Jesus’s Semitic and Middle Eastern identity, the dominant culture claims him as “ours.” It strips the image away from Black, brown, or Indigenous believers, making them outsiders in their own religious narratives.
- When the sacred is mapped onto whiteness, it gives authority to white standards of morality, beauty, civilization. Those standards get extended into politics, society, and race.
Hegemony and Resistance
Understanding hegemony means seeing that power isn’t just in armies or laws. It’s in images, stories, norms, religion. The struggle for justice must include reclaiming image, reclaiming narrative, reclaiming who is allowed to be sacred.
To resist:
- Expose the assumptions behind “neutral” symbols and images
- Produce alternative icons rooted in our own histories, bodies, and spiritual realities
- Build institutions and media that reflect our truth
- Challenge consent: refuse the dominant lens, teach new ways, make visible what was hidden
